Most artists have heard that they need to ’simplify’ when painting. We’re told that simplifying is good! But why, what is it, and how do you go about ‘simplification’? A beginning artist, unsure exactly what simplification means, may often just go ahead and struggle to copy what they see, details and all, exactly as it is.
With more experience, however, we come to understand that it’s possible and sensible to IMPROVE a painting by changing some of the components of an image. We want to share a story in our own way about what we see. Perhaps we want to emphasize parts of our picture and encourage the viewer to understand what is important to us. We don’t want to include confusing or extraneous information in our image. Sometimes a painting becomes more effective and stronger if some parts are left out completely. We want to make less be more! That is why we simplify.
What is Simplification?
The essence of simplifying is making something less complex and complicated. In painting, simplifying can mean making your painting and your message clearer, easier to understand. Complex forms with lots of detail are REDUCED or EDITED to become fundamental shapes and including only the most important details. Copying is not simplifying, whereas painting an impression or suggestion of a scene is.
How to simplify? First, Establish Major Shapes.
Begin by thinking about shapes – the MAJOR SHAPES of the scene you hope to paint. (Don’t begin by focusing on details.) Look for the largest shapes, the big overall pattern. Imagine the least number of shapes necessary to make your design. In a landscape painting, the fewest number of shapes could be two – sky and land, or sky and ocean. But your image could have as many as 5-7 large shapes. A row of trees with their shadows (their shapes combined to form one) could be a shape. Or a mountain range can be a major shape. Keep in mind that ‘shapes’ are not necessarily single objects or subjects. A single barn could include several shapes – one side of the barn sunlit, the other shaded (see below).
Some of the major shapes include sunlit front of barn, shaded end of barn.
Only after noting major shapes (which form the backbone of your painting), should you consider smaller shapes, then details.
Second, Reduce The Range of Values.
Shapes in a painting can often be related to VALUE (lights and darks). Strive for simplified value contrasts and limit yourself to light, middle, and dark values as you plan your picture. Rather than trying to capture a lot of little shapes and an infinite range of values, design your painting with strong and simple shapes and a limited range of values. You will avoid confusing clutter that distracts viewers from your intended message.
Third, Use Fewer Colors.
Another way to simplify your image and create a stronger painting is to use a LIMITED PALETTE of colors. Too many colors can complicate a picture, making it appear garish, as well as make mixing of color burdensome. Fewer colors, on the other hand, can increase color harmony and balance.
Limited palette of colors used.
Fourth, Limit details.
Better artists are able to look at the vast amount of information around us and screen out extraneous details. To do that yourself, stop and ask yourself what it is about your subject that you liked. Once you have identified what interests you about the scene, think about what details are important to your message (that you might want to emphasize) and which details do not contribute (which you might be able to make less important or completely filter out of the picture). It’s sometimes a good idea to even crop out/eliminate an area that does not add value.
You may want more detail around your center of interest to encourage a viewer to focus on this area of your painting. Soften and eliminate some details elsewhere in the picture (perhaps blurring details in the distance and shadows).
In this barn painting, I cropped away some of the edges, simplified a bit of the fencing and barn board, and got rid of the trough in the foreground completely.
Details limited in painting.
Thumbnails To Help You Simplify.
Use several THUMBNAIL sketches to structure the best possible composition for a painting. Thumbnails are not finished drawings, but quick, small, simplified sketches, 2X3 inches (or perhaps 4X5 inches) that help you explore where your painting might go. Try to keep your thumbnail sketch proportions similar to what you plan for the finished work. Experiment with the arrangement of shapes and values. Your first thumbnail is often not the best arrangement you can come up with, so draw several thumbnails, with pencil, before choosing a final composition.
Sketching out a few thumbnails is like brainstorming, investigating options or variations on possible picture arrangements. It need only take 3 to 5 minutes. By working small, there is no room to fuss with detail. It is one of the best ways to organize and simplify a composition, and to focus on important information, while eliminating the unnecessary.
As an artist, strive to simplify, interpret a scene, and make it your own. Be bold. Simplifying your composition improves its focus, clarity, and power. To simplify may seem difficult at first, but less can really be more!
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