As you approach a painting, it is absolutely vital that you think hard about what you’re doing. You can avoid many problems if you PLAN ahead and think through the sequence of painting steps. Before you begin to paint, you must stop and analyze the subject to be painted. Learn to ask yourself some basic questions. First, determine what it is you want to show and what you want to say about your subject. Why did you choose to paint this picture? Why were you drawn to this image? Does your image remind you of a favorite place? Does the picture make you feel calm? Do you feel like laughing when you look at your subject?
Think about your MOOD. How does the scene make you feel? Happy, sad, excited, nostalgic? Respond to your emotions – these feelings are what you will try to get down on paper and share with viewers of your art. People will connect to YOUR art with THEIR emotions! For instance, does your painting depict hay being baled and loaded onto a truck on a sweltering hot, hazy summer day? Can you just imagine your clothes clinging to you and your skin itching where loose hay sticks to your sweaty skin? You would definitely be looking forward to a tall glass of cold iced tea later while sitting in the shade! The mood and setting of this kind of picture should suggest certain paint color choices and techniques to you. You might use rich, warm summer greens for trees, ochres to show for dried grasses, bright, warm blues in a sky full of billowing cumulus clouds. In the distance, details might be a bit soft, paler, and obscured by the haze and humidity. Cloud formations and vegetation during sunny high summer have certain characteristics they do not usually show during other seasons or weather conditions.
Come up with a plan of attack. Remember that there is not just one way to paint a scene! What approach are you drawn to? Will you paint background first? Do you want to paint all your underlayers first? Have some idea of what you want to do, but be open to adapting your plans as you proceed. Feel free to rearrange objects to strengthen your composition. You can also change the atmosphere, season, time of day, or direction of the light source in your picture. Decide on a center of interest to anchor your painting; then in view of what you choose as your focus, pick what details you will emphasize and what elements you will remove. It is best to SIMPLIFY your image – learn to really look at your picture and see Shapes, Values, Edges, and Color Changes – instead of “clouds,” “trees,” “roads,”or “faces.” Then, ELIMINATE some things. Sometimes less is more! Don’t copy every detail you see – filter the details through your own eyes. Wouldn’t a few details be more interesting than having everything in precise imitation of the reality? (If you detail everything, you have NOT created a CENTER OF INTEREST to draw the eye of the viewer.) Making such choices is one of the important steps in moving from being a painter to being an ARTIST. Your painting should share your impression of and emotions about a scene. You should not be striving for a rote photographic copy that expresses no feeling.
Once you determine the mood of your painting and think about what paint colors and techniques would give your painting the desired feeling, you can progress to make a light pencil sketch of a few IMPORTANT details of the image. Consider whether you intend to save the white of the paper with masking fluid before you begin painting. With masking complete, decide which parts of your painting you will paint first and with what techniques. Every picture is different, so in a way you will need to be a bit of a detective. If you enjoy puzzles, as I do, figuring out how you proceed through a painting can be an enjoyable challenge. The goal is to have a PLAN, with the construction of your painting broken down into small, manageable steps from the start to the finish of the process.
Often I begin a painting by painting the sky. If there is no sky to paint, I tend to start with the background and work gradually toward the foreground, painting light colors prior to darker colors, building up layers to create shape and form. Watercolor is seldom painted as one layer. I like to have light colors surrounded by dark, or vice versa, to create emphasis and impact, and to attract a viewer’s interest. I also consider adjusting the colors in a painting to suit my own taste or to set the mood that I want to create. Fine details in the foreground or at the center of interest I often paint last.
As you gain experience as a painter, you will find it easier to rearrange objects, adjust colors, or simplify in your art. Try to be BOLD! You are a unique individual unlike anyone else. Get your OWN feelings down on the paper. Dare to be yourself, and work to master your techniques of painting, and you will develop your own style and be likely to have success as a painter. And remember: the more you paint, the faster you grow!
Great ideas to approach a subject. I liked your suggestion to see “shapes, values, edges and color changes” vs trees, clouds, etc. I’ve never thought of that. Also I never though of assessing my “mood” as I looked at a subject. This is an intriguing concept in how others might experience their own mood when looking at my work. Thanks for writing in such thoughtful detail about the process. It is very helpful. 😊
It’s great to hear that you’re seriously thinking about new ideas. Always trying to
learn and challenge myself has certainly kept me excited about my painting! Lee.
Thanks Lee! Your work is really stunning. I don’t have the technical skill to achieve the depth that you create in your paintings, but the process of trying to get what I see onto the paper is so very satisfying. Thanks again for the comment. 😊